John's latest CD is passionflower featuring the music of Billy Strayhorn, which you must absolutely check out. He is a featured arranger and pianist on many of res recordings including the Grammy-nominated CD contact and portraits and jazz and clubbing, featuring James Moody, Kenny Burrell, Joe Lovano, Steve Turre, and Eddie Gomez. John is a longtime member of Ray Barretto's New World Spirit. John has recorded numerous CDs on the high note and Venus records labels as a leader and with such greats as Freddy Cole, Gloria Lynn, Houston person, and Nikki Porratt. And you will immediately see the incredible diversity of his playing, of his recordings, from traditional jazz to classical literature to various Latin and pop styles. All you have to do is peruse his discography, which you can easily do at his website, John de. John is considered a shape shifter for his creativity across musical genres. And if you are not familiar with John, then you are going to be blown away. I had a chance to sit down and talk with New York City based jazz pianist, composer, arranger, producer, and educator, John DiMartino. It's time to discover, learn and play jazz piano. DiMartino is a fine musician who sounds less interested in technical pyrotechnics than in mining a melody for its original intent-whether he's arranging or playing, he lets the essence of a song speak for itself. This multi-recorded artist has long been a favorite of singers for his gigantic ears and intuitive, uncluttered playing-rare gifts that also enhance any instrumentalist he accompanies or arranges. "John DiMartino is a first-call veteran of the New York City jazz scene. "John di Martino's middle name should be 'taste', for he conveys that quality in both solo and supportive roles, in jazz as well as Latin music." His music is an honest outpouring of light! " "John Di Martino is one of my absolute personal favorite pianists of today. "John's soul and being come straight through to his music, the jazz world needs him! " John Di Martino was a long time member of Ray Barretto's "New World Spirit", He is a featured arranger and pianist on many of Ray Barretto's recordings including the grammy-nominated, CD: "Contact" and "Portraits In Jazz And Clave" (featuring James Moody, Kenny Burrell, Joe Lovano, Steve Turre, and Eddie Gomez).īorn in Philadelphia, Pa in 1959, John studied with Jimmy Amadie, Lennie Tristano, and Don Sebesky. B" and "Live And In Clave" (Bobby Sanabria). John’s discography includes Grammy-nominated CD’S: ”Love" (Issac Delgado), "Freddy Cole Sings Mr. John has recorded numerous CDs on the High Note and Venus Records (Japan) labels as a leader, and with Freddy Cole, Gloria Lynn, Houston Person, and Nicki Parrott. John Di Martino's latest CD’s are: “Passion Flower” (the music of Billy Strayhorn ), featuring Raul Midon, Eric Alexander, Boris Kozlov, and Lewis Nash, and: “Mazel” (Yiddish Songs, re-imagined ), with Janis Siegel and Cantor Daniel Krammer ( ) John composed the music for the documentary series: “A Glimpse Of Paradise" (Prospera Medienproduktion) aired on Europe’s Arte Channel, and music for the video games: "Batman: The Telltale Series" He is described as a "shape-shifter", for his creativity across musical genres. John Di Martino is a composer, arranger, jazz pianist, producer, and educator, based in New York City. It’s time to Discover, Learn, and Play jazz piano! Today, you are in for a real treat! I am joined by John Di Martino I think I stole this from Barry Harris.Welcome to JazzPianoSkills, I'm Dr. You can start to build some fluency and new vocabulary by isolating parts of the beat this way. (It took me years to learn this lesson, but once I started focusing more deeply on a smaller number of things that I thought I already knew, my playing really took off.)Īs for getting out a rut rhythmically, something I've messed with is to take a simple static chord and try to play lines starting on a specific beat or part of a bar (& of 3, for example). If you can, great! But if you can't, maybe you need to be more honest with yourself about what it means to have truly mastered a given concept. Most people seriously underestimate how many reps it takes to truly "know" something to the extent that it's in your muscle memory and you can improvise with it freely.įor example, those Bill Evans voicings - sure you know how to construct them, but are they really at the tips of your fingers? Can you play that minor voicing in every key all around the circle of fifths at 100 bpm? What about in whole steps? Chromatically? Fourths?įor scales, can you play them in thirds? Triads? Seventh chord arpeggios? Can you do it without thinking? One thing that I've noticed a lot of people struggle with (myself included) is that there is a world of difference between knowing something in a theory sense vs knowing it deeply inside and out.
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